The Hobbits of my Shire

p1180483Here are the Tribes from which I hail

The Hobbits of my Shire

The re-users, repairers, recyclers

Savers from landfill that fields may flourish

Salts of the earth dwellers

Early birds who catch the worm


Out in the cold

Fuelled by hunger to over-indulge

in all things merry

Dancers happy in simplicity

Comedians cut by teachers’ sarcasm

attended no classes –

they’re a class of their own


p1180481 The JAM tomorrows who live for today

True to themselves and trusting of none

Proud on their pins –

not scrounging welfare but scavenging bins

Disregarded regarders of the discarded

p1180484Magic menders of pre-loved dreams

Lorries full of broken treasures

Carpenters, seamsters and craft-sellers

musicians, poets and storytellers –

The talented that globalisation never minds

but we will sorely miss



Inspired by a village auction in the New Forest, Hampshire

November 2016 © Southampton Old Lady

Review: Maxine Peake as Hamlet – Shakespeare ****

Maxine Peak as 'Hamlet' a stripped-bare version of Shakespeare's most versatile tragedy at The Royal Exchange Theatre, Manchester.
Maxine Peak as ‘Hamlet,’ a stripped-bare version of Shakespeare’s most versatile tragedy at The Royal Exchange Theatre, Manchester.

Maxine Peake as ‘Hamlet, which opened at The Royal Exchange Theatre in Manchester last year, is currently touring the UK. Cinema versions are also to tour other countries.

I watched this minimalist, cross-dressed version on television last night. When you cannot afford to go to the theatre much (and us Brits love theatre) Sky Arts is such a godsend.

"To be or not to be..."
“To be or not to be…”

Of all Shakespeare’s plays, the tragedy of this Danish Prince is the most versatile to interpret. Each actor makes Hamlet their own. Stripped to the bare-bones of any set, costumes, props and the cast playing different sexes, races, ages and sometimes more than one role, actors need to be outstandingly good to hold the audience’s attention. All were obviously cast for their amazing ability to act. Not one had help, in their resemblance nor voice, to the traditional characters often played. We had to suspend our disbelief, which could be hard work. As such, this is not one for those unfamiliar with the story.

Synopsis: After murdering his own brother, King Hamlet, the devious Claudius succeeds him to the throne and even marries his widow, Gertrude. Prince Hamlet seeks revenge and sets about to overthrow his evil uncle, which results in tragedy.

Best see Kenneth Branagh’s film version first; then read to play. This is one for Mancunians and those who have seen endless versions. On stage, Benedict Cumberbatch, June Law, Rory Kinnear, David Tennant and Michael Sheen have all played Hamlet recently to varying critical acclaims.

Peake is certainly a star – charismatic and compelling in her fast-paced, fresh and angry-youth interpretation. She is well-deserving of her BAFTA nomination. Full-figured Katie West is not your usual waif-like Ophelia but procures a sense of injustice, Barbara Marten, a little mature in years, comes across more beautiful than voluptuous as Gertude. John Schrapnel, resembling a warm patriarch figure, also had his work cut out to portray the sly Claudius and haunting ghost. Rosencrantz and Guildenstern were far from dead in their portrayal by Jodie McNee and Peter Singh. Great performances all round.

4/5 from me.

For the trailer visit: